As introduction I want to show you something.
It is a Linn Adikt on a linear Biotracer by Sony.
It is like a big wale surfing on his big belly to the shore!
...and it sounds like that!
-----------klick to enlarge----------

Sunny regards,
Frank
Moderator: Staff
Aha!morego wrote:(that soon will be upgraded by your Giao)…
Well, 1986 it was in the same class as the LP12 with standard Aikto but it was far too expensive.lejonklou wrote:I remember it! But I don't think I ever listened to one and I haven't serviced one either.
Other "super Japs" - as well as "super American" and "super Swiss" turntables - have been such huge disappointments when compared to an LP12 that I've pretty much given up on all of them.
I doubt it was anywhere near the LP12 in 1986. A simple detail like the main bearing positioned the LP12 in a class of it's own. No other manufacturer made bearings with high precision, because they didn't think it was important.morego wrote:Well, 1986 it was in the same class as the LP12 with standard Aikto but it was far too expensive.
I think north of 2000 D Mark.
Listening to it is not a problem in the modern world I can link you a stream via my space. What's your taste?
I don't get the sense that the Adikt is compensating, rather that the Ortofons are failing to communicate the interplay & the artistry between the guitarist & the drummer. The Bronze focusses on the guitar but forgets the drummer and the music; the Black does a better job of adding in the drums but leaves them separate from the guitar rather than playing the same piece of music. Only the Adikt brings both together in a performance. Interesting comparison - thank you for sharing the sound clips.morego wrote:Thanks for your opinion. It was fun to make!
I cannot listen to it in the moment… I think I had it too much, yesterday.
All I can says is:
That it would have been helpful, if the record company could make the hole in the centre of the record. Here it is just a mm off centre.
The Adikt (‘big wale surfing on his big belly’) will compensate this better regarding rushing and timing.
But maybe it is a competition?
I am sure the third 23 sec of the clip will be the time of the Bronze. It is more specialized on the attack! Some people may find out the exact material composition of the steel strings?
…and I don’t like the Black.
Thanks, for your explanation of the phenomena. I wouldn’t be able to formulate it like that.tokenbrit wrote: I don't get the sense that the Adikt is compensating, rather that the Ortofons are failing to communicate the interplay & the artistry between the guitarist & the drummer. The Bronze focusses on the guitar but forgets the drummer and the music; the Black does a better job of adding in the drums but leaves them separate from the guitar rather than playing the same piece of music. Only the Adikt brings both together in a performance. Interesting comparison - thank you for sharing the sound clips.
I agree with Lejonklou, this one is pretty obvious which is better. What ever qualities the Ortofons may have over Adikt is worth nothing in my world. I think your clips represent a good demonstration of how to judge better from worse by Tune Method. Also very interesting with such well done comparison of these well known cartridges, thanks!lejonklou wrote:Yes, it is! That is the essence of the Tune Method. You can instantly tell better from worse, on musical grounds. And the result will be the same with every other record.morego wrote:It’s not easy the say this one is failing or this one is worse!