"When a conscious analysis of the music is growing strong within you, it's a bad sign. When you react without having intended it (the music moves you instead of you doing the work), it's a very good sign."
But I like to add, same goes if it's unconscious. Ever happen that you suddenly discover that you focus on something else than enjoying the music? Thats the reason I tend to think an impressive sounding system can be a bad sign.
A great system isn't "sounding" impressive, it makes the records fantastic. */
Note, it's a difference between an impressive system and an impressive sounding system.
It's not different at all inside me!lejonklou wrote: I'd also appreciate if you could try explaining the difference in you between doing a tune dem and simply enjoying the music. I am not sure I get what you mean there. You strongly emphasize there's a difference and I still don't understand what that is.
I always "felt" the music, also before I heard about the tune method. Can be that I always played instruments but on the other hand most people do this naturally (and all kids I met), except those reading a HIFI magazine and start listen to details, analyzing, thinking, as "that seems to be the correct way doing it". :|
What I tried to describe is that you can listen to music in many different ways example analyzing the details but if you try to hard doing this in a tune dem evaluation, you likely fail.
Get it?
*/ after a GREAT gig, you don't discuss the sound...if it was cold...if it was raining...someone jumping on your toes...
I have a few of these fantastic concerts under my belt. I remember nothing more than I was extremely moved.
Sometimes after the orchestra played the last tune, it's silent for seconds before the audience start clapping their hands. Nobody wants to destroy the magic feeling in the room.